#Luke McKenzie

[genextsofuniverse]

Zen e Luke o que pesam de saber que shippam a Shuri e o Namor?

Zendaya: Tem maluco pra tudo.

Luke: Olha, ela não quiser soar rude nem nada. É só que é… meio estranho pra nós saber disso agora, porque nunca vimos nada parecido antes. Onde voce viu isso?

[abs0luteb4stard]

(Re) W A T C H I N G

[wentworthlindamilesfanpage]

More updated /new 3x9 ‘Freak Show’ screenshots

[badmovieihave]

Bad movie I have Wyrmwood: Apocalypse 2021

[sesiondemadrugada]

Eileen (William Oldroyd, 2023).

[thranduilofsmirkwood]

LORD OF THE RINGS MEMES

THE HOBBIT MEMES

RELATIONSHIP MEMES

REBEL CIRCUS QUOTES

[cantsayidont]

Thanks, I hate it!

All the bozos complaining about our supposed overabundance of Positive Lesbian Representation in Media — reporting in, presumably, from the same parallel dimension with the overabundance of TV and movie butches — and wishing Hollywood would just go back to good old-fashioned toxic lesbian movies, your dream film has arrived! Based on a novel by Ottessa Moshfegh and set in the mid-1960s, this resolutely unpleasant little movie stars Thomasin McKenzie as the title character, a mousy young woman (who is allegedly very plain despite being played by Thomasin McKenzie) working at a men's prison in a judgmental little New England town and taking care of her awful alcoholic father. When Rebecca, the prison's glamorous new psychiatrist (Anne Hathaway with an incongruous bleach job), seemingly takes a fancy to her, Eileen begins having stirrings, which for a time suggests that this is going to be one of those exercises in Period Piece Lesbian Misery (à la CAROL or the film version of TELL IT TO THE BEES). However, things then take a wholly unexpected and very dark turn, and you're reminded that the publicity made noises about this being a Hitchcockian thriller.

Even before the Sudden Turn, EILEEN is a bleak and joyless story, the cinematic equivalent of slipping on a sidewalk and getting dirty early-spring snow up the back of your shirt. If the thought of MILFy Anne Hathaway laying her hand on your knee sets off KILL BILL sirens in your head, you'll see where Eileen is coming from, but watching her being abused and belittled by everyone around her other than Rebecca (punctuated by Eileen's fantasies of killing her father or herself) is pretty much the opposite of fun. Moreover, the sharp left into Hitchcock territory means that Eileen doesn't even get the usual Period Piece Lesbian Misery quota of one to 1.5 soft-focus vanilla sex scenes before the torment sets in. Bleah!

Extremely strong content warnings are needed for CSA, which is not depicted, but is described in unexpected and upsetting detail, along with some brief but quite graphic violence. It's bad enough that I would advise caution even if the stars make you think it might be worth a look.

[randomrichards]

EILEEN:

Vibrant therapist

Breaks coworker out of shell

Feminist noir

[namorthesubmariner]

Namor: Conquered Shores (2022) # 4 Preview 

(w) Christopher Cantwell (a) Pasqual Ferry

[evilhorse]

I told you that my relationships on the surface were complicated.

[kevinmchalenews]

Kevin McHale on Austin McKenzie's "In Living Colour" album cover (photo by Maxwell Poth & Luke Fontana). The first song "When I Look at You" will be released on February 1.

[comicwaren]

From Namor: Conquered Shores #005, “This Shared Doom”

Art by Pasqual Ferry and Matt Hollingsworth

Written by Christopher Cantwell

[abs0luteb4stard]

W A T C H E D

[foreveryoungadult]

The O.C. S1.E02 “The Model Home”

Ryan: "You know what I like about rich kids? Nothing."

[cerealbishh]

i wish we got more of steve and sid in galavant...

[screenzealots]

"Eileen"

A story about misery, depression, and the power of persuasion, the outlandish third act threatens to sink the entire film.

I have a love / hate relationship with director William Oldroyd‘s “Eileen,” his screen adaptation of Ottessa Moshfegh‘s award-winning novel. The majority of the film works well (although it’s a bit slow), but the last thirty minutes reveal a shocking twist that feels out of place. Since the screenplay was co-written by Moshfegh and her husband Luke Goebel, it stays true to the original story. But…